
Aldous Huxley
English writer and philosopher
Date of Birth | : | 28 Jul, 1894 |
Date of Death | : | 22 Nov, 1963 |
Place of Birth | : | Godalming, United Kingdom |
Profession | : | Writer, Philosopher |
Nationality | : | British |
Early Years
Aldous Huxley was born July 26, 1894, in the village of Godalming, Surrey, England. The third son of Leonard Huxley, a writer, editor, and teacher, and Julia Arnold, also a teacher, the young Aldous grew up in a family of well-connected, well-known writers, scientists, and educators.
At Aldous' birth, the Huxley family and their relatives already commanded literary and philosophical attention in Victorian England. Huxley's grandfather, biologist T. H. Huxley, gained recognition in the nineteenth century as the writer who introduced Charles Darwin's theory of evolution to a wide public and coined the word "agnostic." The elder Huxley's writing contributed to the growing debate on science and religion, a theme that would capture the imagination of his grandson, Aldous.
Huxley's mother was a niece of poet and essayist Matthew Arnold, who expressed the moral struggles of the modern age and the retreat of a religion-based culture. Matthew's father, Thomas Arnold, head of Rugby School, had presided with earnest devotion over the theory and practice of education in his time. Thus Aldous grew up in an atmosphere in which thought on science, religion, and education informed and even dominated family life.
Living up to the expectations of "Grandpater," as T. H. Huxley was known in his family, constituted a full-time, exhausting job for the children — Aldous included. Academic and professional brilliance was expected as a matter of course, with no excuses allowed. A family tendency toward depression compounded by this pressure may have contributed to the suicide of Trevenan, Aldous' elder brother. At sixteen, the sudden onset of keratitis punctate, an eye disease, left Aldous nearly blind and almost ruined his own chances for success. Fortunately, surgery corrected some of his vision, but Huxley would suffer from complications in vision for the rest of his life.
Education
Like all the sons of his family, Huxley attended Eton, a prestigious preparatory school, and Balliol College, Oxford. His education, then, represented a privileged road to power for wealthy and well-born British men who sometimes displayed real brilliance. Huxley was among the best of them, certainly. Poor sight caused by the eye disease prevented his pursuit of his first career choice, medicine, but he threw himself into study of literature, reading with the help of a magnifying glass. In 1915, Huxley took a First (highest honors) in English Literature.
A less formal, but nonetheless important part of Huxley's education was his regular attendance at Lady Ottoline Morrell's get-togethers, which provided many literary, artistic, and political reformers and experimenters the chance to meet and talk. Here Huxley met novelist Virginia Woolf, economist John Maynard Keynes, and critics Bertrand Russell and Clive Bell — some of the most important writers and thinkers of the time. Huxley's early exposure to the ideas of such a diverse and progressive group deeply influenced his world-view and his writing.
Jobs
After taking his degree at Oxford, Huxley returned to Eton to teach. Among his pupils was Eric Blair, who would later write such classics as 1984 and Animal Farm under the pseudonym "George Orwell."
From 1919 to 1921, Huxley worked as an editor on the London journal Athenaeum, one of the best-known publications of the time. Huxley also contributed to Vanity Fair and Vogue before devoting himself entirely to his own fiction and essay writing in 1924.
Literary Writing
Huxley's first published work was a collection of his poetry, The Burning Wheel (1916), written when he was still in his early twenties. French novelist Marcel Proust praised Huxley's early efforts, and Huxley seemed destined for life as a poet. But with the publication of his first two novels, Crome Yellow (1921) and Antic Hay (1923), Huxley emerged as a particularly witty chronicler of modern life among the educated and pretentious.
Huxley further solidified his reputation as a satirist with the novel Point Counter Point (1928), a scathing study of the breakdown of commonly held social values. Huxley followed up with another satire, which would prove to be his most popular work — Brave New World (1932).
Like his previous novels, Brave New World is a "novel of ideas," in which the themes the author wishes to explore take center stage, determining the action as well as the characterization. Brave New World continued in Huxley's familiar irreverent fictional style, showing readers the absurdity of strongly held but little examined beliefs.
The work also marked a change in Huxley himself. The setting of Brave New World — a future London rather than the familiar country houses and town houses of his previous fiction — seems to have broken Huxley out of some habits of mind. In Brave New World, Huxley takes the problem of evil much more seriously than in the past. The satirist had begun to evolve into the social philosopher.
After the publication of Brave New World,
Quotes
Total 20 Quotes
I don't care where I'm from. Nor where I'm going. From hell to hell.
When one individual comes into intimate contact with another, she—or he, of course, as the case may be—must almost inevitably receive or inflict suffering.
In a word, they failed to take into account man's almost infinite appetite for distractions.
Round pegs in square holes tend to have dangerous thoughts about the social system and tend to infect others with their discontents.
Dream in a pragmatic way.
The greater a man's talents, the greater his power to lead astray.
Life is short and information endless: nobody has time for everything.
Wherever the choice has had to be made between the man of reason and the madman, the world has unhesitatingly followed the madman.
The urge to escape from selfhood and the environment is in almost everyone almost all the time.
The urge to transcend self-conscious selfhood is, as I have said, a principal appetite of the soul.