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John Updike

American Novelist and Poet
Date of Birth : 18 Mar, 1932
Date of Death : 27 Mar, 2009
Place of Birth : Reading, Pennsylvania, United States
Profession : Novelist, Poet, Journalist, Playwright, Essayist, Art Critic, Literary Critic
Nationality : American
John Hoyer Updike was an American novelist, poet, short story writer, art critic, and literary critic. One of only four writers to win the Pulitzer Prize for fiction more than once (the others were Booth Tarkington, William Faulkner, and Colson Whitehead), Updike published more than twenty novels, more than a dozen short story collections, and poetry. , art and literature criticism, and children's books during his career.

Hundreds of his stories, reviews, and poems appeared in The New Yorker beginning in 1954. He also wrote regularly for The New York Review of Books. His most famous work is his "Rabbit" series (the novels Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit at Rest; and the novel Rabbit Remembered), which chronicles the life of middle-class everyman Harry "Rabbit." "Angstrom. over several decades, from adulthood until his death. Both Rabbit Is Rich (1981) and Rabbit at Rest (1990) received the Pulitzer Prize.

Early life and education

Updike was born in Reading, Pennsylvania, the only child of Linda Grace (née Hoyer) and Wesley Russell Updike, and was raised at his childhood home in the nearby small town of Shillington. The family later moved to the unincorporated village of Plowville. His mother's attempts to become a published writer impressed the young Updike. "One of my earliest memories", he later recalled, "is of seeing her at her desk ... I admired the writer's equipment, the typewriter eraser, the boxes of clean paper. And I remember the brown envelopes that stories would go off in—and come back in."

These early years in Berks County, Pennsylvania, would influence the environment of the Rabbit Angstrom tetralogy, as well as many of his early novels and short stories. Updike graduated from Shillington High School as co-valedictorian and class president in 1950 and received a full scholarship to Harvard College, where he was the roommate of Christopher Lasch during their first year. Updike had already received recognition for his writing as a teenager by winning a Scholastic Art & Writing Award, and at Harvard he soon became well known among his classmates as a talented and prolific contributor to The Harvard Lampoon, of which he was president. He studied with dramatist Robert Chapman, the director of Harvard's Loeb Drama Center. He graduated summa cum laude in 1954 with a degree in English and was elected to Phi Beta Kappa.

Personal life and death

Biographer Adam Begley wrote that Updike "transmuted the minutiae of his life" in prose, which enriched his readers at the cost of being "willing to sacrifice the happiness of people around him for his art".

In 1953, while a student at Harvard, Updike married Mary Entwistle Pennington, an art student at Radcliffe College and daughter of a prominent Unitarian minister. She accompanied him to Oxford, England, where she attended art school and their first child, Elizabeth, was born in 1955. The couple had three more children together: David (born 1957), Michael (born 1959), and Miranda (born 1960).

Updike was serially unfaithful, and eventually left the marriage in 1974 for Martha Ruggles Bernhard. In 1977, Updike and Bernhard married. In 1982, his first wife married an MIT academic. Updike and Bernhard lived for more than 30 years in Beverly Farms, Massachusetts. Updike had three stepsons through Bernhard. He died of lung cancer at a hospice in Danvers, Massachusetts, on January 27, 2009, at age 76. He was survived by seven grandchildren and seven step-grandchildren.

Poetry

Updike published eight volumes of poetry over his career, including his first book The Carpentered Hen (1958), and one of his last, the posthumous Endpoint (2009). The New Yorker published excerpts of Endpoint in its March 16, 2009 issue. Much of Updike's poetical output was recollected in Knopf's Collected Poems (1993). He wrote that "I began as a writer of light verse, and have tried to carry over into my serious or lyric verse something of the strictness and liveliness of the lesser form." The poet Thomas M. Disch noted that because Updike was such a well-known novelist, his poetry "could be mistaken as a hobby or a foible"; Disch saw Updike's light verse instead as a poetry of "epigrammatical lucidity". His poetry has been praised for its engagement with "a variety of forms and topics", its "wit and precision", and for its depiction of topics familiar to American readers.

British poet Gavin Ewart praised Updike for the metaphysical quality of his poetry and for his ability "to make the ordinary seem strange", and called him one of the few modern novelists capable of writing good poetry. Reading Endpoint aloud, the critic Charles McGrath claimed that he found "another, deeper music" in Updike's poetry, finding that Updike's wordplay "smooths and elides itself" and has many subtle "sound effects". John Keenan, who praised the collection Endpoint as "beautiful and poignant", noted that his poetry's engagement with "the everyday world in a technically accomplished manner seems to count against him".

Death

Updike often wrote about death, his characters providing a "mosaic of reactions" to mortality, ranging from terror to attempts at insulation. In The Poorhouse Fair (1959), the elderly John Hook intones, "There is no goodness without belief ... And if you have not believed, at the end of your life you shall know you have buried your talent in the ground of this world and have nothing saved, to take into the next", demonstrating a religious, metaphysical faith present in much of Updike's work.

For Rabbit Angstrom, with his constant musings on mortality, his near-witnessing of his daughter's death, and his often shaky faith, death is more frightening and less obvious in its ramifications. At the end of Rabbit at Rest (1990), though, Rabbit demonstrates a kind of certainty, telling his son Nelson on his deathbed, "... But enough. Maybe. Enough." In The Centaur (1963), George Caldwell has no religious faith and is afraid of his cancer. Death can also be a sort of unseen terror; it "occurs offstage but reverberates for survivors as an absent presence".

Updike himself also experienced a "crisis over the afterlife", and indeed

many of his heroes shared the same sort of existential fears the author acknowledged he had suffered as a young man: Henry Bech's concern that he was 'a fleck of dust condemned to know it is a fleck of dust,' or Colonel Ellelloû's lament that 'we will be forgotten, all of us forgotten.' Their fear of death threatens to make everything they do feel meaningless, and it also sends them running after God—looking for some reassurance that there is something beyond the familiar, everyday world with 'its signals and buildings and cars and bricks.'

Updike demonstrated his own fear in some of his more personal writings, including the poem "Perfection Wasted" (1990):

And another regrettable thing about death
is the ceasing of your own brand of magic ...

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