Jules Gabriel Verne was a French novelist, poet, and playwright. His collaboration with the publisher Pierre-Jules Hetzel led to the creation of the Voyages extraordinaires, a series of bestselling adventure novels including Journey to the Center of the Earth (1864), Twenty Thousand Leagues Under the Seas (1870), and Around the World in Eighty Days (1872). His novels, always well documented, are generally set in the second half of the 19th century, taking into account the technological advances of the time.
Biography
Verne’s father, intending that Jules follow in his footsteps as an attorney, sent him to Paris to study law. But the young Verne fell in love with literature, especially theatre. He wrote several plays, worked as secretary of the Théâtre Lyrique (1852–54), and published short stories and scientific essays in the periodical Musée des familles. In 1857 Verne married and for several years worked as a broker at the Paris Stock Market. During this period he continued to write, to do research at the Bibliothèque Nationale (National Library), and to dream of a new kind of novel—one that would combine scientific fact with adventure fiction. In September 1862 Verne met Pierre-Jules Hetzel, who agreed to publish the first of Verne’s Voyages extraordinaires (“Extraordinary Journeys”)—Cinq semaines en ballon (1863; Five Weeks in a Balloon). Initially serialized in Hetzel’s Le Magasin d’éducation et de récréation, the novel became an international best seller, and Hetzel offered Verne a long-term contract to produce many more works of “scientific fiction.” Verne subsequently quit his job at the stock market to become a full-time writer and began what would prove to be a highly successful author-publisher collaboration that lasted for more than 40 years and resulted in more than 60 works in the popular series Voyages extraordinaires.
Verne’s works can be divided into three distinct phases. The first, from 1862 to 1886, might be termed his positivist period. After his dystopian second novel Paris au XXe siècle (1994; Paris in the 20th Century) was rejected by Hetzel in 1863, Verne learned his lesson, and for more than two decades he churned out many successful science-adventure novels, including Voyage au centre de la terre (1863, expanded 1867; Journey to the Centre of the Earth), De la terre à la lune (1865; From the Earth to the Moon), Autour de la lune (1870; Around the Moon), Vingt mille lieues sous les mers (1870; Twenty Thousand Leagues Under the Sea), and Le Tour du monde en quatre-vingts jours (1873; Around the World in Eighty Days). During these years Verne settled with his family in Amiens and made a brief trip to the United States to visit New York City and Niagara Falls. During this period he also purchased several yachts and sailed to many European countries, collaborated on theatre adaptations of several of his novels, and gained both worldwide fame and a modest fortune.
The second phase, from 1886 until his death in 1905, might be considered Verne’s pessimist period. Throughout these years the ideological tone of his Voyages extraordinaires began to change. Increasingly, Verne turned away from pro-science tales of exploration and discovery in favour of exploring the dangers of technology wrought by hubris-filled scientists in novels such as Sans dessus dessous (1889; Topsy-Turvy or The Purchase of the North Pole), L’Île à hélice (1895; The Floating Island or The Self-Propelled Island or Propeller Island), Face au drapeau (1896; Facing the Flag or For the Flag), and Maître du monde (1904; Master of the World). This change of focus also paralleled certain adversities in the author’s personal life: growing problems with his rebellious son, Michel; financial difficulties that forced him to sell his yacht; the successive deaths of his mother and his mentor Hetzel; and an attack by a mentally disturbed nephew who shot him in the lower leg, rendering him partially crippled. When Verne died, he left a drawerful of nearly completed manuscripts in his desk.
The third and final phase of the Jules Verne story, from 1905 to 1919, might be considered the Verne fils period, when his posthumous works were published—after being substantially revamped—by his son, Michel. They included Le Volcan d’or (1906; The Golden Volcano), L’Agence Thompson and Co. (1907; The Thompson Travel Agency), La Chasse au météore (1908; The Chase of the Golden Meteor), Le Pilote du Danube (1908; The Danube Pilot), Les Naufragés du Jonathan (1909; The Survivors of the Jonathan), Le Secret de Wilhelm Storitz (1910; The Secret of Wilhelm Storitz), Hier et demain (1910; Yesterday and Tomorrow, a collection of short stories), and L’Étonnante aventure de la mission Barsac (1919; The Barsac Mission). Comparing Jules Verne’s original manuscripts with the versions published after his death, modern researchers discovered that Michel did much more than merely edit them. In most cases he entirely rewrote them—among other changes, he recast plots, added characters, and made their style more melodramatic. Scholarly reaction to these discoveries has been mixed. Some critics condemn these posthumous works as contaminated; others view them as a legitimate part of the Verne père et fils collaboration. The debate continues.