
Lat (Cartoonist)
Malaysian Cartoonist
Date of Birth | : | 05 Mar, 1951 |
Place of Birth | : | Kota Bharu, Kota Bharu, Malaysia |
Profession | : | Screenwriter, Comic Artist, Comics Artist |
Nationality | : | Malaysian |
Dato' Mohammad Nor bin Mohammad Khalid, better known as Lat, is a Malaysian cartoonist. Winner of the Fukuoka Asian Culture Prize in 2002, Lat has published more than 20 volumes of cartoons since he was 13 years old. His works mainly illustrate the social and political scenes of Malaysia, portraying them from a humorous and non-prejudiced perspective. Lat's best-known work is The Kampung Boy (1979), which has been published in several countries around the world. In 1994, the Sultan of Perak awarded him the honorary title of datuk, in recognition of the cartoonist's work in helping to promote social harmony and understanding through his caricatures. Lat also works for the government to improve the city's social security.
Born in a village, Lat spent his youth in the countryside before moving to the city at the age of 11. While in school, he supplemented his family's income by contributing comic strips to newspapers and magazines. He was 13 years old when he managed to publish his first comic, Tiga Sekawan (Three Friends Catch a Thief). After failing to achieve the grades necessary to continue his education beyond high school, Lat became a newspaper reporter. In 1974, he changed careers to become an editorial cartoonist. His works, which reflect his views on Malaysian life and the world, are staple articles in national newspapers such as New Straits Times and Berita Minggu. He adapted his life experiences and published them as his autobiographies, The Kampung Boy and Town Boy, telling stories of rural and urban life with comparisons between the two.
Lat's style has been described as reflecting his early influences, The Beano and The Dandy. However, he has adopted his own form of illustration, drawing the common man on the streets with bold pen and ink strokes. A trademark of the Malay characters is their three-turned noses. Lat paid attention to family life and children because of his idolization of Raja Hamzah, a veteran cartoonist who was also popular in the 1960s with his comics about swashbuckling heroes. Rejabhad, a highly respected cartoonist, mentored Lat and imbued the young cartoonist with a preference for being sensitive to the themes of his works. Lat's attention to detail gained him popularity, making his works attractive to the masses who find them credible and unbiased.
In addition to writing and publishing cartoons, Lat has ventured into the fields of animation, merchandising, and theme parks with his creations. His name and works are internationally recognized; Foreign cartoonists, such as Matt Groening and Sergio Aragonés, admire his art, and foreign governments invite Lat to tour their countries, hoping to gain greater exposure for their countries through Lat's cartoons about his experiences. in them. After 27 years of living and working in Kuala Lumpur, Lat returned to Ipoh to live a quieter lifestyle in semi-retirement.
Early life and education
Early life and education
Mohammad Nor Mohd Khalid was born on 5 March 1951 in Kota Bharu, a small settlement located in Gopeng, Perak, Malaysia. His father, Mohd Khalid Mohd Noh was a government clerk with the Malaysian Armed Forces, and his mother, Nor Azian Said, a housewife. Khalid was a stocky boy with a cherubic face, which led his family to nickname him bulat (round). His friends shortened it to "Lat"; it became the name by which he was more commonly known in his kampung and later in the world. Lat was the eldest child in his family, and he often played in the jungles, plantations, and tin mines with his friends. Their toys were usually improvised from everyday sundries and items of nature. Lat liked to doodle with materials provided by his parents, and his other forms of recreation were reading comics and watching television; Lat idolised local cartoonist Raja Hamzah, who was popular with his tales of swashbuckling Malay heroes. Malaysian art critic and historian Redza Piyadasa believes Lat's early years in the kampung ingrained the cartoonist with pride in his kampung roots and a "peculiarly Malay" outlook—"full of gentleness and refinement".
Reporter to cartoonist
Moving to the Malaysian capital Kuala Lumpur, Lat applied for a cartoonist's position at Berita Harian. He was told there was no vacancy, but the paper's editor, Abdul Samad Ismail, offered him the post of a crime reporter. Lat accepted, a decision he explained was borne from necessity rather than choice: "It was a question of survival. I had to earn money to help support the family." At that time, Lat's father had fallen seriously ill and could not work; Lat had to become the breadwinner of his family. Aside from taking the job, he continued contributing cartoons to other publications. Lat was later transferred to Berita Harian's parent publication, New Straits Times. Moving throughout the city to report on crimes gave Lat opportunities to observe and interact with the myriads of lives in the urban landscape, enabling him to gather material for his cartoons and increasing his understanding of the world. Nevertheless, he felt he lacked the persistently inquisitive nature needed to succeed as a crime reporter. Furthermore, his "breathtakingly detailed, lurid and graphically gory descriptions" of the aftermaths of crimes had to be frequently toned down by his seniors. Lat became convinced that he was a failure at his job, and his despondency led him to tender his resignation. Samad, believing Lat had a bright future with the press, furiously rejected the letter.
After The Kampung Boy
In 1981, Town Boy was published. It continued The Kampung Boy's story, telling of the protagonist's teenage life in an urban setting. Two more compilations of Lat's editorial cartoons (With a Little Bit of Lat and Lots More Lat) were published and the number of people who recognised him continued to grow. In 1984, partly from a desire to step away from the limelight, Lat resigned from the New Straits Times to become a freelancer, but continued to draw Scenes of Malaysian Life for the newspaper. He set up his own company, Kampung Boy Sendirian Berhad (Village Boy private limited), to oversee the merchandising of his cartoon characters and publishing of his books. In 2009, Kampung Boy partnered Sanrio and Hit Entertainment in a project to open an indoor theme park which would later be called as Puteri Harbour Family Theme Park in Nusajaya, Johor in August 2012.] One of the park's attractions will be the sight of performers dressed up as Kampung Boy characters beside those in Hello Kitty and Bob the Builder costumes and also reported in August 2012 will be a Lat-inspired diner called Lat's Place. It will be designed in a Malaysian village setting, coupled with animations for patrons to interact with.
Sensitive topics
At the time that Lat started drawing for the New Straits Times, local political cartoonists were gentle in their treatment of Malaysian politicians; the politicians' features were recreated faithfully and criticisms were voiced in the form of subtle poems. Lat, however, pushed the boundaries; although he portrayed the politicians with dignity, he exaggerated notable features of their appearances and traits. Lat recalled that in 1974, he was told to change one of his works, which portrayed Malaysian Prime Minister Abdul Razak from the back. Lee refused to print the work unchanged, and pointedly asked the cartoonist "You want to go to jail?!" In 1975, however, Lat's next attempt at a political cartoon won Lee's approval. The satire featured a caricature of Razak's successor—Hussein Onn—on the back of a camel, travelling back to Kuala Lumpur from Saudi Arabia; its punchline was Hussein's hailing of his mount to slow down after reading news that a pay raise for the civil service would be enacted on his return.
Interests and beliefs
Music has played a crucial part in Lat's life since his youth; he revealed in an interview that listening to songs such as Peggy March's "I Will Follow Him" and Paul & Paula's "Hey Paula" helped him learn English. Listening to music had also become an important ritual in his work, providing him with inspiration in his art. When he sketches "fashionable girls", he puts on Paul McCartney's tracks, and switches to Indonesian gamelan when he needs to draw intricate details.He enjoys pop music, particularly rock music of the 1950s and 60s listening to The Beatles, Bob Dylan, and Elvis Presley. Lat is also partial to country music, and to singers such as Hank Williams and Roy Rogers because he finds their tunes "humble" His enjoyment of music is more than a passive interest; he is proficient with the guitar and piano, and can play them by ear.
Influence and legacy
Recognised globally, and widely popular in his country, Lat has been styled "cultural hero", "his nation's conscience in cartoon form" and "Malaysian icon" among other effusive titles. The Malaysian Press Institute felt Lat had "become an institution in own right", honouring him with their Special Jury Award in 2005. Cartoonists in the Southeast Asian region, such as Muliyadi, Chua, and Rejabhad, have given high praise to Lat, and his admirers further abroad include North American cartoonists Matt Groening and Eddie Campbell. Groening, creator of The Simpsons, gave a testimonial for the United States version of The Kampung Boy, praising Lat's signature work as "one of the all-time great cartoon books". Sergio Aragonés, the creator of Groo the Wanderer, is another of Lat's American fans. After visiting Malaysia in 1987, Aragonés used the experience to create a story for Groo in which the bumbling swordsman chances on the isle of Felicidad, whose inhabitants and natural habitat were modelled after those of the Southeast Asian country. Aragonés drew the noses of the islanders in Lat's distinctive style, and named one of the prominent native characters—an inquisitive boy—after the Malaysian cartoonist.
Quotes
Total 0 Quotes
Quotes not found.