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Mervyn Warren

American Film Composer and Record Producer
Date of Birth : 29 Feb, 1964
Place of Birth : Huntsville, Alabama, United States
Profession : Record Producer, Singer, Songwriter, Lyricist, Actor, Vocalist, Film Score Composer
Nationality : American
Marvin Edwin Warren is an American film composer, record producer, bandleader, arranger, songwriter, composer, pianist and vocalist. Warren has won five Grammy Awards and been nominated for a Grammy Award ten times. Warren has written underscores and songs for many feature films and television movies. He has also written arrangements for dozens of popular artists, including extensive work at producers Quincy Jones, David Foster, Arif Mardin and Jones' Back on the Block, Q's Juke Joint, and Q: Sol Bossa Nostra. .

Warren has also produced for numerous jazz, pop, R&B, contemporary Christian, and gospel artists, usually arranging and often performing (on piano, keyboard, or vocals) on those recordings, and often writing or co-writing melodies and lyrics. Warren is known as an original member of the a cappella vocal group Take 6, for composing the underscore for the number one movie The Wedding Planner (2001) and for composing and arranging songs for the hit film Sister Act 2. (1993), and Whitney Houston's 1996 film The Preacher's Wife, for composing and arranging most of the soundtracks to the best-selling gospel album of all time.

Early life and education

Warren was born on leap day (February 29) in Huntsville, Alabama. He is the son of Mervyn A. Warren, a university administrator, professor, and author, and Barbara J. Warren, a university professor who specialized in early childhood education. His mother taught him reading and math when he was three years old, which enabled him to complete the first and second grades in one year. Upon beginning the third grade, his classmates, thinking he had "skipped" a grade, taunted and ostracized him for the next several years. During that time, he immersed himself in playing the piano, which he had begun under his mother's tutelage at the age of five. He took piano lessons briefly between the ages of 6 and 10, but lost interest, preferring improvising to memorization. Because his parents are Seventh-day Adventists, he was forbidden from listening to pop music or rhythm and blues. He was punished at the age of twelve when he got caught with a copy of the album Gratitude by Earth, Wind & Fire. Instead he listened to easy-listening, contemporary Christian, classical, choral music, the Mantovani Orchestra, Edwin Hawkins, and the Swingle Singers. He grew up near Oakwood University, where he saw ensembles perform. At fifteen, he enrolled in a summer program at Alabama A&M University for high school students who excelled at math and science. In 1981 he was valedictorian at Oakwood Adventist Academy, then a few months later entered Oakwood University. He graduated in 1985 with a degree in music. Two years later he received a master's degree in arranging from the University of Alabama, having studied with Steve Sample Sr.

Early musical career

At the age of five, Warren began playing the piano by ear, after being taught a few songs by his mother. Thereafter, for many years he immersed himself in the piano, learning to play various styles by ear and creating new arrangements of existing pieces. As early as the age of seven, he was accompanying vocalists at the piano for their performances at school or church. He soon became sought after as an accompanist in the community and throughout college and graduate school.

At the age of 10, Warren became the regular accompanist for a vocal group composed of five of his female classmates where they performed regularly at school and community events. Within weeks of becoming their accompanist, Warren began creating original arrangements for the group. When he was 12, he was asked by a classmate if he had ever considered composing an original song. Though Warren had not previously considered doing so, the suggestion prompted him to begin composing original songs and lyrics which he taught to the vocal group and which they performed publicly.

Warren had an innate inclination toward jazz and complex harmony, which was evident in both his original songs and arrangements of existing songs. This propensity was met with disdain by some of the more conservative members of the Oakwood community, resulting in an ongoing struggle between figures of authority and Warren. At the age of 13, Warren expanded the five-voice, female vocal group to a nine-voice, mixed vocal group. This group, The Symbolic Sounds, sang his arrangements and compositions exclusively, and remained popular in the school and community through 1981.

Warren's first professional recording session was for a new version of "The Lord's Prayer", set to an original melody, which Warren co-wrote with his friend Eric Todd. It was recorded by Blessed Peace, a popular gospel choir at Oakwood University, at the Sound Cell Recording Studio in Huntsville, Alabama. Warren created the vocal arrangement, played keyboards, and assisted Todd with the overall production. During that session, studio-owner Doug Jansen Smith, took note of Warren's abilities. Soon, Warren became a regular session-performer at Sound Cell, contributing to arrangements, playing keyboards, and singing on the radio and TV while performing pop, rock, country, and contemporary Christian recordings.

A Special Blend

Many members of The Aeolians also sang in other vocal groups and choirs at Oakwood University. However, because of The Aeolians' rigorous rehearsal and touring schedule, conductor Alma Blackmon had instituted a rule that no members of the ensemble could participate in extracurricular groups larger than a quartet. This was intended to limit the number of students who might collectively miss any given Aeolian performance. As such, Warren's nine-voice vocal group, The Symbolic Sounds, was disallowed.

In 1981, Warren disbanded The Symbolic Sounds and formed the vocal group A Special Blend, consisting of two women and two men, accompanied by Warren on piano or sometimes along with a full rhythm section. He created innovative vocal arrangements for A Special Blend, whose repertoire consisted of new arrangements of familiar songs, as well as original compositions by Warren. The group's core members consisted of Joya Foster, Lori Bryan, Mark Kibble, and Claude V. McKnight, III. Like Alliance, A Special Blend became well-known and popular for its unique style which combined vocal jazz with contemporary Christian lyrics. A Special Blend performed concerts throughout the United States, primarily on weekends during the school year. Warren, Kibble, and McKnight were members of both A Special Blend and Alliance. The groups' take on vocal jazz complimented each other and they frequently concertized in tandem.

Take 6

In 1980, Warren became a member of the a cappella sextet Alliance. In 1987 they signed with Warner Bros. Records, moved to Nashville, Tennessee, changed their name to Take 6, and achieved worldwide fame by 1988. Warren produced or co-produced most of their first two albums: Take 6 and So Much 2 Say. He also arranged and co-wrote many of the included songs. Along with the group he won his first of four Grammy Awards.

Warren's years with Take 6 were characterized by a flurry of appearances, performances, recordings, and travel. Take 6 performed many concerts and embarked upon several concert tours which were typically to sold-out audiences both in the United States and abroad. In 1988, opening for singer Andy Williams, Take 6 toured approximately 12 U.S. cities. In 1989, Take 6 toured 40 U.S. cities, opening for jazz legend Al Jarreau. In subsequent years, Take 6 headlined their own concerts and tours throughout the United States, the UK, Europe, and Japan. Take 6 also performed at a number of well-known events, venues, and jazz festivals including Radio City Music Hall, Carnegie Hall, The Hollywood Bowl, The Special Olympics, The Monterey Jazz Festival, and The Playboy Jazz Festival. Occasionally Take 6 shared billing with other popular contemporary-Christian recording artists such as The Winans, BeBe & CeCe Winans, and Commissioned.

Music career in Nashville

Between recording sessions and tours with Take 6, Warren produced, wrote songs, and made arrangements for other musicians. Producer Greg Nelson even became a mentor to him. In 1991, after leaving Take 6, Warren remained in Nashville where he worked with Yolanda Adams, First Call, Larnelle Harris, James Ingram, Babbie Mason, Cindy Morgan, Sandi Patty, The Richard Smallwood Singers, Thomas Whitfield, and Bebe & Cece Winans. In 1990, he produced two tracks on the Donna McElroy album Bigger World. The arrangement for "Come Sunday," was a collaboration with Cedric Dent of Take 6. Warren and Dent received a Grammy Award nomination for the arrangement.

Interpreting Handel

In 1991, Warren was hired to arrange and produce an interpretation of the 1741 oratorio Messiah by George Frideric Handel that incorporated African-American music. He arranged and produced seven of the sixteen tracks of Handel's Messiah: A Soulful Celebration, which included spirituals, blues, ragtime, swing, jazz fusion, rhythm and blues, gospel, and hip-hop. The album received the Grammy Award for Best Contemporary Soul Gospel Album and the Dove Award for Contemporary Gospel Album of the Year. Handel's Messiah: A Soulful Celebration has been officially recognized by Handel House, the George F. Handel museum in London, England.

Film and music career in Los Angeles

In 1993 Warren was hired to compose music for the film Sister Act 2: Back in the Habit. Although he intended to return to Nashville, job offers compelled him to remain in Los Angeles. He has composed and conducted orchestral scores for film and television; he has also written, produced, and arranged songs for Ron Fair, David Foster, and Quincy Jones; and he has performed and recorded as a musician. He collaborated with Jeff Marx on "You Have More Friends Than You Know" for the It Gets Better organization. The song appeared on the television program Glee on April 18, 2013.

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