Stephen Joshua Sondheim was an American composer and lyricist. Considered one of the most important figures in 20th century musical theater, he is credited with reinventing the American musical. Featuring his frequent collaborations with Harold Prince and James Lapine, Sondheim's Broadway musicals addressed unexpected themes that went beyond the traditional themes of the genre, while also addressing darker elements of the human experience. His music and lyrics were tinged with complexity, sophistication and ambivalence about various aspects of life.

Early life and education

Sondheim was born on March 22, 1930, into a Jewish family in New York City, the son of Etta Janet ("Foxy"; née Fox; 1897–1992) and Herbert Sondheim (1895–1966). His paternal grandparents, Isaac and Rosa, were German Jews, and his maternal grandparents, Joseph and Bessie, were Lithuanian Jews from Vilnius. His father manufactured dresses designed by his mother. The composer grew up on the Upper West Side of Manhattan and, after his parents divorced, on a farm near Doylestown, Pennsylvania. The only child of affluent parents living in the San Remo at 145 Central Park West, he was described in Meryle Secrest's biography Stephen Sondheim: A Life as an isolated, emotionally neglected child. When he lived in New York City, Sondheim attended the Ethical Culture Fieldston School. He spent several summers at Camp Androscoggin. His mother sent him to New York Military Academy in 1940. From 1942 to 1947, he attended George School, a private Quaker preparatory school in Bucks County, Pennsylvania, where he wrote his first musical, By George, in 1946. From 1946 to 1950, Sondheim attended Williams College. He graduated magna cum laude and received the Hubbard Hutchinson Prize, a two-year fellowship to study music.

Education

Sondheim began attending Williams College, a liberal arts college in Williamstown, Massachusetts, whose theater program attracted him. His first teacher there was Robert Barrow:

everybody hated him because he was very dry, and I thought he was wonderful because he was very dry. And Barrow made me realize that all my romantic views of art were nonsense. I had always thought an angel came down and sat on your shoulder and whispered in your ear "dah-dah-dah-DUM." It never occurred to me that art was something worked out. And suddenly it was skies opening up. As soon as you find out what a leading tone is, you think, Oh my God. What a diatonic scale is—Oh my God! The logic of it. And, of course, what that meant to me was: Well, I can do that. Because you just don't know. You think it's a talent, you think you're born with this thing. What I've found out and what I believed is that everybody is talented. It's just that some people get it developed and some don't.

Unrealized projects

According to Sondheim, he was asked to translate Mahagonny-Songspiel: "But I'm not a Brecht/Weill fan and that's really all there is to it. I'm an apostate: I like Weill's music when he came to America better than I do his stuff before ... I love The Threepenny Opera but, outside of The Threepenny Opera, the music of his I like is the stuff he wrote in America—when he was not writing with Brecht, when he was writing for Broadway." He turned down an offer to musicalize Nathanael West's A Cool Million with James Lapine c. 1982.

Personal life and death

Sondheim was often described as introverted and solitary. In an interview with Frank Rich, he said: "The outsider feeling—somebody who people want to both kiss and kill—occurred quite early in my life". Sondheim jokingly told the New York Times in 1966: "I've never found anybody I could work with as quickly as myself, or with less argument", although he described himself as "naturally a collaborative animal"

Sondheim died of cardiovascular disease at his home in Roxbury on November 26, 2021, at the age of 91. Collaborator and friend Jeremy Sams said Sondheim "died in the arms of his husband Jeff". On December 8, 2021, Broadway theaters dimmed their marquee lights for one minute as a tribute.