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More Quotes by Uta Hagen
It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
I have disassociated myself from that book.
To rebel or revolt against the status quo is in the very nature of an artist.
Since the time of the ancient Greeks a democracy has depended on its philosophers and creative artists. It can only flourish by continuous probing, prodding, and questioning of the social conditions under which man exists and tries to better himself. One of the first moves of a dictatorship is to stifle the artists and thinkers who have the ability to stir up dissent from any prescribed dogma which might enslave them. Because the artist can arouse the curiosity and conscience of his community, he becomes a threat to those who have taken power.
All tedious research is worth one inspired moment.
Theoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself- and to do so takes AN INSATIABLE CURIOSITY ABOUT THE HUMAN CONDITION
The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn't look like a violin is no reason to assume his techniques should be thought of as less difficult.
Keep pace with the present. Take a trip to the moon. envision the future.
We were not allowed to say, Screw, but we could say, Hump the hostess, because hump is in Shakespeare.
Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.