It's a surreal experience. During the first show, I was like, "Wow, I'm onstage with Ms. Tyson!" Everybody has been amazing, and the energy is really beautiful. I'm replacing my friend Condola, so everyone making sure that I'm OK has turned what could've been a very scary, nerve-racking and lonely experience into a supportive environment.

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That's what you want art to do, to open people up and start conversations.

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My first audition was an open call and I had no picture and no resume - that's how clueless I was. I just thought I could show up.

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I have a Twitter handle, but I never sign on.

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I'm in awe of how grounded Ms. Tyson is and how her performances can be different but the same. She can switch up the delivery, but it's still with the right intention. Her words are effortless in terms of their meaning and how she inhabits them. She's been doing Trip to Bountiful for four months, and it still feels real. She's pretty amazing.

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I took acting classes in my senior year in college and I loved it.

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I was reading the paper and saw a cartoon with Ray Kelly frisking Obama, and I was like "Wait, what's happening?" so I Googled it. For everything Obama stands for and the things he's said in the past in his books, especially with the Trayvon Martin thing - and I'm not sure if he [made his comments on Trayvon] because he was asked a question and he was trying to be diplomatic and neutral - that can't happen.

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I grew up in New York and I've always lived here, so I look at myself as a regular person. When somebody recognizes me from the film - and it can be a wide range of people, which shows the power of film - I feel like they're talking about someone else we both know. I just find it hard to believe that anyone would stop me to share how much they loved something that I was a part of.

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You look up to your parents and you want them to accept you, and you don't want them to look at you in a negative light. So you do things to make them proud and accept you.

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I want to tell authentic, real stories with real characters.

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