What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.

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Personally, I love Toronto.

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My father was a lorry driver, very rarely at home. The house was run by my mother, and because there were 10 or so kids, there was no time for individual attention. It was about survival. It was about where the next meal was coming from.

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As an actor, you really want to resonate with your audience. I played a character on Oz and people still approach me in the streets today.

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The only way you can influence your fate is to put your soul into your performance and hope it registers with the audience.

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You really have to act your pants off to stay alive. I thrive on that; I rise to the occasion of the circumstances.

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The actual fights themselves are very demanding. You don't want to drain yourself. But it pumps you up, gets you in the zone. It's a good way of getting you into the zone for the scene.

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Wale means to arrive home. So the crown has arrived home. Akin is warrior or brave man. Nuoye is a brave man of chieftaincy and Agbaje means wealth and prosperity.

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I've played different nationalities, and everything from vulnerable to strong to crooked to demented. It just increases your possibilities of work because, if people know you can do just about anything, then you're going to get more offers. That's what I want to do.

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It's a significant question: should black people only adopt black children, and white people white children?

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