#Quote
Trains in these parts went from East to West, and from West to East . . .
On either side of the railway lines lay the great wide spaces of the desert - Sary-Ozeki, the Middle lands of the yellow steppes.
In these parts any distance was measured in relation to the railway, as if from the Greenwich meridian . . .
And the trains went from East to West, and from West to East .
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More Quotes by Chinghiz Aitmatov
Fainting with heat, he suddenly found himself in the cold, cold river. He had turned into a fish. Tail, body, fins – everything was fishlike, except the head, which was his own and still ached. He swam through the muted, cool, underwater darkness and thought that now he would remain a fish forever and never go back to the moutains. “I won’t return,” he said to himself. “It’s better to be a fish, it’s better to be a fish.
I was astounded at the passion and fire of the melody itself. I could not describe it then, nor can I now. Was it just his voice or something more tangible emerging from his very soul that could arouse such emotion in another person, and bring one's innermost thoughts to life?
I was astounded at the passion and fire of the melody itself. I could not describe it then, nor can I now. Was it just his voice or something more tangible emerging from his very soul that could arouse such emotion in another person, and bring one’s innermost thoughts to life?
His singing made me want to fall to the ground and kiss it, as a son to a mother, grateful that someone could love it so keenly. For the first time in my life something new awoke within me, something irresistible: I still cannot explain it. It was a need to express myself, yes, to express myself, not only to see and sense the world, but to bring to others my vision, my thoughts and sensations, to describe the beauty of the earth as inspiringly as Daniyar could sing. I caught my breath for fear and joy of the unknown. At that time, however, I had not yet realized the need to take up brush and paints.
Where are you now? What roads are you treading? We have so many new roads now, right across the steppe all the way to the Altai and Siberia. Many brave souls are toiling there. Perhaps you're among them? You left, my Jamilia, across the wide steppe without a backward glance. Perhaps you are weary, perhaps you have lost faith in your self? Just lean on Daniyar's shoulder. Have him sing to you his song of love, of life, of the earth. May the steppe come alive and blossom in all its glory. May you recall that August night. Keep on, Jamilia, have no regrets; you've found your hard-sought happiness. When I gaze at them long enough I can hear Daniyar's voice. He is calling to me, too, to take the highroad, which means it is time for me to get ready. I shall cross the steppe back to my village and find fresh colours there. May Daniyar's song resound and may Jamilia's heart beat with every stroke of my brush.
There will be winter, there will be cold, there will be snowstorms, but then there will be spring.. Agian.
Yes, there will be winter, there will be cold, there will be snowstorms, but then there will be spring again.
The only thing I'll never have is what I have lost for ever and ever... As long as I live, until I draw my last breath, I shall remember Asel and all those beautiful things that were ours. The day I was to leave I went to the lake and stood on the rise above it. I was saying good-bye to the Tien Shan mountains, to Issyk-Kul. Good-bye, Issyk-Kul, my unfinished song! How I wish I could take you with me, your blue waters and your yellow shores, but I can't, just as I can't take the woman I love with me. Goodbye, Asel. Good-bye, my pretty poplar in a red kerchief! Good-bye, my love, I want you to be happy.
At that time I was making the largest salary known on television and I didn't want to see it die because those were the years paying off when I wasn't making anything.
But a man cannot remain indifferent to the world around him; it worries him and torments him to think that he could be happier somewhere else, and that he is where he is simply through a mistake of fate.