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Octavio Paz

Mexican Poet and Diplomat
Date of Birth : 31 Mar, 1914
Date of Death : 19 Apr, 1998
Place of Birth : Mexico City, Mexico
Profession : Poet, Author
Nationality : Mexican

Octavio Paz Lozano was a Mexican poet and diplomat. For his body of work, he was awarded the 1977 Jerusalem Prize, the 1981 Miguel de Cervantes Prize, the 1982 Neustadt International Prize for Literature, and the 1990 Nobel Prize in Literature.

Biography

Paz’s family was ruined financially by the Mexican Civil War, and he grew up in straitened circumstances. Nonetheless, he had access to the excellent library that had been stocked by his grandfather, a politically active liberal intellectual who had himself been a writer. Paz was educated at a Roman Catholic school and at the University of Mexico. He published his first book of poetry, Luna silvestre (“Forest Moon”), in 1933 at age 19. In 1937 the young poet visited Spain, where he identified strongly with the Republican cause in the Spanish Civil War. His reflection on that experience, Bajo tu clara sombra y otros poemas (“Beneath Your Clear Shadow and Other Poems”), was published in Spain in 1937 and revealed him as a writer of real promise. Before returning home Paz visited Paris, where Surrealism and its adherents exerted a profound influence on him.

Back in Mexico, Paz founded and edited several important literary reviews, including Taller (“Workshop”) from 1938 to 1941 and El hijo pródigo (“The Prodigal Son”), which he cofounded in 1943. His major poetic publications included No pasaran! (1937; “They Shall Not Pass!”), Libertad bajo palabra (1949; “Freedom Under Parole”), ¿Águila o sol? (1951; Eagle or Sun?), and Piedra de sol (1957; The Sun Stone). In the same period, he produced prose volumes of essays and literary criticism, including El laberinto de la soledad (1950; The Labyrinth of Solitude), an influential essay in which he analyzes the character, history, and culture of Mexico; and El arco y la lira (1956; The Bow and the Lyre) and Las peras del olmo (1957; “The Pears of the Elm”), which are studies of contemporary Spanish American poetry.

Paz entered Mexico’s diplomatic corps in 1945, after having lived for two years in San Francisco and New York, and served in a variety of assignments, including one as Mexico’s ambassador to India from 1962 to 1968; in the latter year he resigned in protest over Mexico’s brutal treatment of student radicals that year. From 1971 to 1976 Paz edited Plural, and in 1976 he founded Vuelta, which continued to be published until his death in 1998; both were reviews of literature and politics.

His poetry after 1962 includes Blanco (1967; Eng. trans. Blanco), influenced by Stéphane Mallarmé’s poetry and John Cage’s theories on music; Ladera este (1971; “East Slope”), which is suffused with Paz’s understanding of East Indian myths; Hijos del aire (1979; Airborn), sonnet sequences created by Paz and the poet Charles Tomlinson building on each other’s lines; and Árbol adentro (1987; A Tree Within), in which many of the poems are based on works by artists such as Marcel Duchamp and Robert Rauschenberg. An English-language selection, The Collected Poems of Octavio Paz, 1957–1987, was published in 1987.

His later prose works, some originally in English, include Conjunciones y disyunciones (1969; Conjunctions and Disjunctions), a discussion of the world’s cultural attitudes; El mono gramático (1974; The Monkey Grammarian), a meditation on language; and Tiempo nublado (1983; “Cloudy Weather,” translated as One Earth, Four or Five Worlds: Reflections on Contemporary History), a study of international politics with emphasis on the relationship between the United States and Latin America.

Paz was influenced in turn by Marxism, Surrealism, existentialism, Buddhism, and Hinduism. In the poetry of his maturity, he used a rich flow of surrealistic imagery in dealing with metaphysical questions. As one critic said, he explored the zones of modern culture outside the marketplace, and his most prominent theme was the human ability to overcome existential solitude through erotic love and artistic creativity. In addition to the Nobel Prize, Paz received numerous other awards, including the Cervantes Prize, the most prestigious Spanish-language accolade. The 15-volume Obras completas de Octavio Paz (“Complete Works of Octavio Paz”) was published from 1994 to 2004. The Poems of Octavio Paz (2012) was a career-spanning collection of his poems in English translation.

Quotes

Total 40 Quotes
The beloved is already in our being, as thirst and "otherness." Being is eroticism. Inspiration is that strange voice that takes man out of himself to be every thing that he is, everything that he desires; another body, another being. Beyond, outside of me, in the green and gold thicket, among the tremulous branches, sings the unknown. It calls to me.
Distraction is our habitual state. Not the distraction of the person who withdraws from the world in order to shut himself up in the secret and ever-changing land of his fantasy, but the distraction of the person who is always outside himself, lost in the trivial, senseless, turmoil of everyday life.
Each time we try to express ourselves we have to break with ourselves.
I don't believe that there are dangerous writers: the danger of certain books is not in the books themselves but in the passions of their readers.
There is nothing sacred or untouchable except the freedom to think. Without criticism, that is to say, without rigor and experimentation, there is no science, without criticism there is no art or literature. I would also say that without criticism there is no healthy society.
Love is born at first sight; the friendship of a frequent and lengthy exchange.
The world is born when two people kiss
My body, plowed by your body, will turn into a field where one is sown and a hundred reaped.
Poetry is not truth, it is the resurrection of presences.
Modern man likes to pretend that his thinking is wide-awake. But this wide-awake thinking has led us into the mazes of a nightmare in which the torture chambers are endlessly repeated in the mirrors of reason.