Certainly, I look for different characters 'cause I always like to keep people guessing, and I also don't like to get typecast.

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It's very important to stretch, because while it's good to look pumped, a lot of the moves are split legs, and twisting fast. So you really, really have to stay supple.

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When a child wants to be accepted, he'll do anything. And if it means you're getting a certain amount of notoriety from a fight, that's what you'll do.

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What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.

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The axe is fifteen pounds. You have to make sure you don't hurt or hit someone. And hit the beats, because they have five cameras. It has to look real. That in itself becomes challenging because you have to learn it straight away.

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You don't want it to be a replica or an imitation. You want to create something fresh, original, very unique.

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I'm known for playing bad guys, so this was an interesting departure from what I'm known to play, which is a softer, more likable, affable character.

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I just want to keep the diversity and the options open. In terms of what I'm looking for, I'd like to do a lead action role. Whilst I'm still young and I still have the looks, I want to take the helm and be a renegade cop, or something like that. He's got to have a bit of an edge, but that would be nice.

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I'm of Nigerian descent, from the Yoruba tribe. Names are very significant in that culture. It basically states your purpose in life.

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You really have to act your pants off to stay alive. I thrive on that; I rise to the occasion of the circumstances.

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