The only way you can influence your fate is to put your soul into your performance and hope it registers with the audience.

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The actual fights themselves are very demanding. You don't want to drain yourself. But it pumps you up, gets you in the zone. It's a good way of getting you into the zone for the scene.

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I just want to keep the diversity and the options open. In terms of what I'm looking for, I'd like to do a lead action role. Whilst I'm still young and I still have the looks, I want to take the helm and be a renegade cop, or something like that. He's got to have a bit of an edge, but that would be nice.

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And then, with a European director and Norwegian actors speaking in Norwegian, it was going to be very interesting. So, whatever initial trepidation or fear I may have had was alleviated by those factors. I just said, "This is something to get on board with."

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Certainly, I look for different characters 'cause I always like to keep people guessing, and I also don't like to get typecast.

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It's a significant question: should black people only adopt black children, and white people white children?

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My father was a lorry driver, very rarely at home. The house was run by my mother, and because there were 10 or so kids, there was no time for individual attention. It was about survival. It was about where the next meal was coming from.

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What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.

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I'm of Nigerian descent, from the Yoruba tribe. Names are very significant in that culture. It basically states your purpose in life.

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Personally, I love Toronto.

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